What are AI credits, and what does each feature cost?

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AI credits

AI credits are how the AI features are paid for. One credit is a penny of what a request costs us to run, rounded up — so a credit is not a currency we invented a value for. It is the bill, passed on at cost.

You are never charged without seeing the price first. Every AI button opens a box with the exact number on it before anything happens, and a result we already have on file is shown to you again for nothing.

What each feature costs

Anything that reads your whole screenplay is priced on its length, because the screenplay is most of what we pay for. The lengths in the table are examples, not tiers — your script is priced on its own length, and the exact figure is always on the button before you press it.

A credit is a penny of what the AI costs us to run, rounded up. Nothing is charged until you have seen the price and agreed to it, and a result already on file is redrawn for nothing.

What it doesCreditsBreak down the scriptReads the whole screenplay and returns a structured breakdown: protagonist, want, need, conflict, stakes, tone, the beats it found, and what it could not settle. This is the heavy lifting, and it is done once: the scene board and the loglines are then written from it rather than from the pages, which is why they cost a fraction of what they otherwise would.30pp1860pp2190pp25120pp28Lay out the scene board (needs an analysis)Places every scene of the script into the acts and beats of the structure you choose. Works from the analysis, so it can be bought alongside one or on its own any time afterwards.30pp660pp790pp8120pp9Find the major locationsWorks out the places where the story spends its time, joins the different ways the scene headings spell each one, and describes how each looks and feels. They appear on the Locations tab, ready to edit. No analysis needed.30pp1060pp1190pp13120pp14Generate loglines (no analysis yet)Three loglines written from the screenplay itself. This is the expensive way to ask, and only happens when the script has never been analysed.30pp660pp1090pp13120pp17Generate loglines (from the analysis)The same three loglines, written from the stored analysis of the script instead of the pages. What you get once a script has been analysed.5Story synopsis (from the analysis)The whole story, ending and all, written twice in one go: a full page of 450 to 600 words, and a half page of about 250. The full page is what a producer, an agent or a contest reader takes in before deciding whether to open the script; the half page is the right length for the episode synopsis on a television script. Written from the stored analysis, so it knows the spine of the story rather than the detail of every scene. Nothing is saved to your screenplay until you choose to use it.5Story synopsis (from the screenplay)The same two versions, written by reading the script itself rather than the analysis. What you get when a script has never been analysed, and what to ask for when the cheaper one comes back thin through the middle.30pp860pp1190pp15120pp18CoverageA reader's report on how well the script is written: premise, structure, character, dialogue, originality, craft and marketability, each scored out of ten with lines from your script quoted underneath. Then scene notes in page order, and a plan for the next draft. It reads the whole screenplay and takes a few minutes. Introductory price. Coverage is new, and we have set it low for a short while so that as many members as possible can try it and tell us where it is wrong. The standard price will be higher once that testing is done.30pp2060pp2490pp36120pp48Refine loglinesAnother set, steered by your ratings, your notes and the ones already on the page.3Critique the script's active loglineAn analysis of the script's current logline: whether it would earn the script a look, your own sentence rebuilt, and a version pushed further. This does not read your screenplay — it is judging the logline on its own.2Critique an idea's loglineThe same critique for an idea, asking the earlier question: is this premise worth writing?2Sketch a characterA portrait of one character, drawn from what their record already says about them, in any of eleven styles and at the framing and facing you choose. Priced for each picture, so asking for three costs three times this — and a request that comes back with nothing is not charged.4One sheet: poster concepts (needs a Story Breakdown)Three different ideas for your script's poster, each with a style, a layout, colours and a tagline you can change before anything is drawn. Having the AI rewrite one of them to your note is 1 credit.5One sheet: draftsQuick drafts of the concept you chose: the concept as pitched and different takes on it. Priced for the set; a picture that does not come back is not charged.12One sheet: finished artworkThe draft you chose, drawn again at full size and full detail. Setting the title, credit, lettering, colours and layout on it afterwards is free, as often as you like.12

Why some prices are a range. Anything that reads your screenplay is priced on its length, because the screenplay is most of what we pay for. The four lengths above are examples, not tiers: your script is priced on its own length, whatever it happens to be, and the exact number is on the button before you press it.

Why the rest are flat. Once a script has been broken down, everything else works from that breakdown rather than the pages — which is why generating loglines drops from a scale to a flat 5, and why critiquing a single logline costs the same whatever it belongs to.

Buying more credits

Every membership comes with free credits each month. If you need more, Basic members pay 10% less for them and Pro members pay 20% less. See Buying more AI credits for the packs and prices.

Where to see what you have spent

Your balance sits in brackets beside AI Credits in the menu under your avatar, and the page itself lists every grant, every purchase and every request you have paid for, newest first.

What it does	Credits
Break down the scriptReads the whole screenplay and returns a structured breakdown: protagonist, want, need, conflict, stakes, tone, the beats it found, and what it could not settle. This is the heavy lifting, and it is done once: the scene board and the loglines are then written from it rather than from the pages, which is why they cost a fraction of what they otherwise would.	30pp1860pp2190pp25120pp28
Lay out the scene board (needs an analysis)Places every scene of the script into the acts and beats of the structure you choose. Works from the analysis, so it can be bought alongside one or on its own any time afterwards.	30pp660pp790pp8120pp9
Find the major locationsWorks out the places where the story spends its time, joins the different ways the scene headings spell each one, and describes how each looks and feels. They appear on the Locations tab, ready to edit. No analysis needed.	30pp1060pp1190pp13120pp14
Generate loglines (no analysis yet)Three loglines written from the screenplay itself. This is the expensive way to ask, and only happens when the script has never been analysed.	30pp660pp1090pp13120pp17
Generate loglines (from the analysis)The same three loglines, written from the stored analysis of the script instead of the pages. What you get once a script has been analysed.	5
Story synopsis (from the analysis)The whole story, ending and all, written twice in one go: a full page of 450 to 600 words, and a half page of about 250. The full page is what a producer, an agent or a contest reader takes in before deciding whether to open the script; the half page is the right length for the episode synopsis on a television script. Written from the stored analysis, so it knows the spine of the story rather than the detail of every scene. Nothing is saved to your screenplay until you choose to use it.	5
Story synopsis (from the screenplay)The same two versions, written by reading the script itself rather than the analysis. What you get when a script has never been analysed, and what to ask for when the cheaper one comes back thin through the middle.	30pp860pp1190pp15120pp18
CoverageA reader's report on how well the script is written: premise, structure, character, dialogue, originality, craft and marketability, each scored out of ten with lines from your script quoted underneath. Then scene notes in page order, and a plan for the next draft. It reads the whole screenplay and takes a few minutes. Introductory price. Coverage is new, and we have set it low for a short while so that as many members as possible can try it and tell us where it is wrong. The standard price will be higher once that testing is done.	30pp2060pp2490pp36120pp48
Refine loglinesAnother set, steered by your ratings, your notes and the ones already on the page.	3
Critique the script's active loglineAn analysis of the script's current logline: whether it would earn the script a look, your own sentence rebuilt, and a version pushed further. This does not read your screenplay — it is judging the logline on its own.	2
Critique an idea's loglineThe same critique for an idea, asking the earlier question: is this premise worth writing?	2
Sketch a characterA portrait of one character, drawn from what their record already says about them, in any of eleven styles and at the framing and facing you choose. Priced for each picture, so asking for three costs three times this — and a request that comes back with nothing is not charged.	4
One sheet: poster concepts (needs a Story Breakdown)Three different ideas for your script's poster, each with a style, a layout, colours and a tagline you can change before anything is drawn. Having the AI rewrite one of them to your note is 1 credit.	5
One sheet: draftsQuick drafts of the concept you chose: the concept as pitched and different takes on it. Priced for the set; a picture that does not come back is not charged.	12
One sheet: finished artworkThe draft you chose, drawn again at full size and full detail. Setting the title, credit, lettering, colours and layout on it afterwards is free, as often as you like.	12

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